We just dropped off 2 embellished journal covers at Baron’s. “How to create an embellished/collaged fabric journal cover” Workshop is scheduled for Saturday March 16 and repeated Tuesday March 19. Call Baron’s to register or for details.
This cover fits a composition book approximately 9 inches high by 7 1/2 inches wide.
This is the size we will be making in class. We will provide the composition books in the purchased supply kit.
This cover was adapted to fit a spiral bound art journal measuring approximately 5 1/2 inches by 8 inches. We will provide guidelines for adapting directions for other sizes.
Just got this in the mail from WordPress.. Some pretty nice numbers there – thanks to all of you. I’m appreciative of each and every one of you who takes the time to see what’s going on here and especially when you leave a like or comment.
I want to write what YOU want to read about. PLEASE tell me what that is. Here are some prompts to get the juices flowing:
What kind of art quilt techniques are you interested in? What kind of sewing/quilting tools would you like to have reviewed? Are you interested in seeing my experiments with fabric and surface design? caution: some of them turn out UGLY, lol. Let me know what you want to see more of and I’ll do my very best to comply.
Have a wonderful, safe, healthy and happy 2013! Thanks for all your support in 2012.
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.
Here’s an excerpt:
600 people reached the top of Mt. Everest in 2012. This blog got about 4,300 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 7 years to get that many views.
Topics in Art Quilting Techniques will continue into the New Year. For those who missed them the first time around we are repeating key topics such as Painting on Fabric, Putting on the Glitz and so on.
For those of you who are eager to delve further into Art Quilting Techniques we will be scheduling additional classes such as Using Alternative Materials in Your Art Quilts, Orphan Blocks as an Inspiration for Art Quilting and more!
I CAN tell you that the first scheduled workshop of 2013 will be Tuesday January 15 from 6 PM until 9 PM. It will be Painting on Fabric. You will learn how to select and prepare your fabric; how to select appropriate paint for your project and how to apply the paint. You will learn techniques for stenciling and stamping with paint as well as how to apply paint with a brush to achieve the effect you are looking for. Make sure you wear clothes that won’t suffer if they receive some paint splashes or bring a coverup. It’s going to be a fun and creative evening.
I expect to have the rest of the dates for the first quarter firmed up later this week so keep your eye on this space.
And enjoy your Thanksgiving Day with lots of good food and surrounded by family and friends!
There aren’t too many things in this life that we can ‘do over.’ It’s not like a computer game where we can push the restart button and proceed; this time, of course, knowing the pitfalls and the previous mistakes that we made
In this case my Do-Over is of something of relative inconsequence.
This past January I made a small art quilt to go along with our Haiku prompt “Exhilaration”. I was pleased with some aspects of my quilt. For instance, I thought the quilting was terrific (even if I do say so myself, lol), there was considerable texture (I had experimented with light molding paste) and the colors were bold and beautiful.
But the composition was awful to my critical eye and I wasn’t happy with it.
Here’s the original:
See what I mean?
So here’s what I did.
I needed to break up the huge expanse of yellow and somehow integrate the various elements. So I painted some fusible web, cut it out, burned the edges with my multi heat tool and applied some of it to the quilt.
Then I printed the Haiku on Extravorganza, fringed the edges and painted them. Then affixed the Haiku to the quilt with BoNash.
Here’s my do-over. Please let me know what you think? How would you have proceeded? I’m really interested in your comments.
When I posted here several months ago I mentioned that I was working on a piece that needed some hand embroidery to be added. This was a fun project – something different and incorporating several different techniques.
Here is a photo of my Fish Out Of Water
And here is an overview of how I made him.
I collaged several fabrics onto a mottled yellow background. I made a stencil from a fish drawing and when I cut it out I was careful to keep the remaining stencil material intact so that I could use it too. Then I painted the fish image onto the quilt using the stencil and acrylic paint. When it was dry I thought that more contrast was needed around the fish so I used the “fish” part of the stencil and painted around the outline.
I outlined the collage pieces with perle cotton and added embroidery to the fish. Then I added some beads and a button eye to accent the fish.
Outline Stitching and Button Eye
Finally I stitched and beaded a spray of coral.
Beaded Spray of Coral
I used a pillowcase type of backing and accented the edges with a perle cotton running stitch.
One of the keys to overcoming any bad habit is to have some understanding of why we do it in the first place. So why don’t we “just do it” a la a Nike commercial and put off some tasks for later? And I’m not just talking about doing the dishes. I’m talking about taking care of tasks that we enjoy as well – could be sewing or gardening or whatever.
For some it could be some underlying fear of failure or even, for some others – fear of success. Maybe we don’t think that we have the specific skill required or talent needed to complete the task and that we will face ridicule. Maybe we’re in conflict about the task at hand and aren’t even sure it’s something that we want to do. Maybe we’re overwhelmed by other demands in our lives and can’t give adequate attention to this newer demand. Maybe we don’t have a clear enough image of exactly what it is we want to accomplish. Maybe the task is boring compared to some other activity that could substitute. I’m far from qualified to give out any advice here but maybe there’s some food for thought in the above possibilities. I considered these ideas and wrote the following Haiku:
Demands, wants, needs, musts I want to……….I don’t want to Relentless tick – tock
I decided that I would set specific goals for the art work that would accompany this haiku: 1. to complete the work in a set amount of time – time that I alternatively would have spent that evening playing a game online . I thought that it was not unreasonable to have the main designing and rough assembly done in 45 minutes. I would do the quilting and finishing the following day. 2. I have a plastic storage box full of previously fused cotton scraps – some of which are remnants from previous projects. My challenge was to use ONLY fabrics from that particular box. Believe me there were plenty to choose from.
The completed piece is approximately 12 inches by 12 inches.
It demonstrates how focus, definition and time limits overcame procrastination in one dedicated to that art.
Two things came up today that led me to thinking about the why and the how of what I do. I started posting some poetry to an art group called Mind’s Eye and a comment prompted me to dig in and think about why I write – especially because poetry isn’t my primary identification as an artist. The comment mentioned how “to the point” the piece was and how most people could identify with it. Here’s what I wrote:
…I write (as a lot of us do), to help clarify my thoughts and feelings and with the expectation that if can get the feelings translated into words that they (the feelings) will be somewhat mitigated. While writing I create my own form as I go. I’m not familiar enough with contemporary poetry to know what the “established” or common styles are or if I come close to any of them. I really don’t care. I do care that people will be able to relate to what I have written. If an obscure reference happens to be perfect to include in my narrative then I will include it. But not if it creates a roadblock for most readers. It is important to me that my work be to the point and accessible…
A friend asked me to approximate how much time I spend in a week on working on my art. This is a little different twist on the question: how long did that take you? It was a question that I was very interested in answering and did it ever open my eyes!!
Hard to say….. I spend many hours day, evening, night working on things related to my art: working on websites, adding items to Etsy, photographing what I see around me for inspiration, photographing quilts and items for website etc., reading about new techniques, looking at other artists’ work for inspiration, writing my poetry (that often leads to an art piece), shopping for supplies, writing in my journal (really unleashes the creativity), selecting fabric and supplies for a new project, daydreaming about the new project, sketching it out, cutting, painting, drawing, fusing, stitching, solving problems, quilting, adding hanging sleeves, hand stitching bindings, hand applying beads, hand embroidery. And so on. You get the picture!!
So, especially you my poet and artist friends – what would you add to this list?
Do you think that it is important or even desirable to stick to acknowledged forms in poetry or other art?